Will Eno's THOM PAIN Comes To Cutting Ball Theater 3/13-4/5

San Francisco's cutting-edge Cutting Ball Theater continues its 2008-09 season with the Bay Area Premiere of Will Eno's London and Off-Broadway hit THOM PAIN (based on nothing). Crowded Fire Artistic Director Marissa Wolf helms this Pulitzer Prize-nominated one-man meditation on the empty promises that life makes, starring Jonathan Bock. THOM PAIN (based on nothing) plays March 13 through April 5 (Press opening: Friday, March 13) at the Cutting Ball Theater in residence at Exit on Taylor (277 Taylor Street) in San Francisco. Will Eno will be in residence at Cutting Ball; there will be a special opening night reception and Q&A on March 13 at 6:30pm with Eno, director Marissa Wolf, and Cutting Ball Artistic Director Rob Melrose. For tickets ($15-30) and more information, the public may visit cuttingball.com or call 800-838-3006.

This isn't your average one-man show. Thom Pain is trying to save his life to save your life, in that order. Filled with biting humor, desire, and lost innocence, THOM PAIN (based on nothing), called "brilliant" by Entertainment Weekly, is a sharply-crafted solo show about one ordinary man's extraordinary search through the wreckage of his life. Hailed as "astonishing . . . a small masterpiece" by The New York Times, this insightful, at times surreal, monologue catalogues the eternal agonies of the human condition in wit and one last-ditch plea for empathy and enlightenment.

"Cutting Ball is honored to produce the Bay Area Premiere of THOM PAIN (based on nothing)," said Cutting Ball Artistic Director Rob Melrose. "The New York Times called Will Eno, ‘a Samuel Beckett for the Jon Stewart generation.' Right now, I am at the Guthrie Theater directing Beckett's Happy Days, and as I work on Beckett's words and prepare for Will Eno's premiere in the Bay Area simultaneously, I am struck by what a perfect description of Eno's work that is. Both Beckett's and Eno's plays are filled with a wicked sense of humor and a profound depth. Their works burrow down into the most intimate vulnerabilities of the human soul - with both writers, at one moment I am laughing myself to the floor and the next I feel as though I am having a spiritual epiphany. Will Eno is very much of our time, putting his profound ideas in the forms of stand-up comedy and the 24-hour news cycle. The fact that he is able to tackle such weighty themes in forms we associate with glibness and superficiality is what makes his work so surprising and catches us off guard - he is one of the most exciting playwrights alive today."

Will Eno is a Guggenheim Fellow, a Helen Merrill Playwriting Fellow, and a Fellow of the Edward F. Albee Foundation; he is the recipient of the first-ever Marian Seldes/Garson Kanin Playwriting Fellowship, nominated by Edward Albee). THOM PAIN (based on nothing), which premiered at the Edinburgh Fringe Festival and subsequently transferred to London, opened Off-Broadway in New York in 2005, where it ran for over 400 performances; it was a finalist for the 2005 Pulitzer Prize in Drama. Eno's other work for the stage includes The Flu Season, which premiered at The Gate Theatre in London and then opened in New York, where it won the Oppenheimer Award (2004) for best debut by an American playwright; Intermission, which premiered at the Ensemble Studio Theatre's One-Act Marathon in 2006; a collection of short plays, Oh, The Humanity and other good intentions, was produced at the Flea Theater in New York in 2007, starring Marisa Tomei and Brian Hutchison; TRAGEDY: a tragedy had its U.S. premiere at Berkeley Repertory Theater in 2008 (an excerpt of the play appeared in the June 2006 issue of Harper's Magazine). Additionally, Eno taught playwriting at Princeton University and was a Hodder Fellow; he was recently named a Fellow of the Cullman Center of the NY Public Library.

Jonathan Bock makes his Cutting Ball debut as the titular Thom in THOM PAIN (based on nothing). Bock's regional credits include As Bees in Honey Drown at New Conservatory Theatre, Crystal Christian and Blue Grass at Magic Theatre, and roles at FoolsFury and the Willows Theatre. Bock will return to Cutting Ball in May to play the role of Pélleas in the company's Open Process workshop of Maurice Maeterlinck's Pélleas and Mélisande, in a new translation by Cutting Ball Artistic Director Rob Melrose.

Photo Will Eno and Edward Albee