King Balthazar Of The Magi Highlighted In December 8 Choral Presentation At Queens College
by A.A. Cristi
- Dec 12, 2023
The Queens College Choral Society will perform 'The Ballad of the Brown King,' a cantata honoring an African monarch identified as one of the Three Magi, along with works by G.F. Handel. Featured soloists are vocal performance majors from the college's Aaron Copland School of Music. The concert will open with works by composer Karen LeFrak.
Join the Festivities with a Weekend of Choral Performances in New Jersey
by Chloe Rabinowitz
- Dec 4, 2023
Kick off the holidays with a weekend of seasonal music from top choral arts organizations in New Jersey. Featuring Harmonium Choral Society, Somerset Hills Chorus, Chancel Choir, Morris Choral Society, and The Baroque Orchestra of New Jersey. Don't miss this festive event!
Review: BLACK NATIVITY at Karma In Partnership With Cleveland Play House
by Roy Berko
- Dec 4, 2023
What did our critic think of BLACK NATIVITY at Karma In Partnership With Cleveland Play House? Langston Hughes, the author of BLACK NATIVITY, now on stage at the Allen Theatre, in a joint production between Karamu, the country’s oldest black producing theater and the Cleveland Play House, the nation’s first resident company, was an American poet, social activist, novelist, playwright, and columnist.
BLACK NATIVITY Comes to the West Shore Theatre in New Cumberland in December
by Stephi Wild
- Nov 29, 2023
BLACK NATIVITY, a Gospel musical, written by American poet and playwright Langston Hughes will be presented by Sankofa African American Theatre Company at the West Shore Theatre in New Cumberland, PA on December 1, 2, and 3, 2023, with performances Friday and Saturday evenings at 7:30 p.m., and matinees on Saturday and Sunday afternoons at 3:00 p.m.
Review: Superb A RAISIN IN THE SUN Moves In at South Coast Repertory
by Michael Quintos
- Nov 9, 2023
Directed with engaging, often riveting pacing by Khanisha Foster—and featuring some of the absolute best, deeply-searing acting performances I've witnessed so far this season—this brand new, powerfully-staged SCR production of Lorraine Hansberry's groundbreaking 1959 play is just too damn good to miss.
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