O'Neill Theater Center Chairman Tom Viertel to Step Down
by Chloe Rabinowitz
- May 2, 2024
Tom Viertel, who has been a member of the Eugene O'Neill Theater Center board for nearly three decades and its Chairman since 2000, will step down from his role at the end of the O'Neill's 2024 season in August. Learn more.
Student Blog: Playing Unhappy People: A Reflection on POCATELLO
by Student Blogger: MJ Kirsche
- Apr 15, 2024
Pocatello was indefinitely the hardest piece I’ve ever worked on, spending a near four months taking a slow Meisner focused process, dropping myself into the lonely world of a small town in Idaho during the 2010s. Our genius director, Andrew Gallant– founder of Green Shirt Studio in Chicago, spent generous amounts of time working a slow paced, piece-by-piece rehearsal process with our cast that centered around not only evoking the emotional life of the characters, but finding the real feeling of the piece in ourselves, which allowed me to find a truth and honesty to performance I have yet to find prior to this show.
Cal State Fullerton's Department of Theatre and Dance Reveals Spring 2024 Series
by Stephi Wild
- Mar 5, 2024
Cal State Fullerton’s Department of Theatre and Dance has announced its Spring 2024 Studio Series productions. The Studio Series is a collection of plays, readings, and workshops performed in the Arena Theatre and Grand Central Theatre that challenge our students and audiences to take a deeper look into theatre and the stories that we tell.
Review: A CASE FOR THE EXISTENCE OF GOD at ACT
by Jay Irwin
- Feb 9, 2024
If you’re unfamiliar with the playwright Samuel D. Hunter, Dear Readers, you shouldn’t be. His latest, “A Case for the Existence of God”, currently playing at ACT, isn’t the first of his we’ve seen in the area. We were blessed with his “A Great Wilderness” back in 2014, plus his “The Whale” which first got a workshop at the Icicle Creek Theatre Festival, not to mention it’s latest life as an Oscar winning film in 2022. His raw takes on modern lives are exhilarating and his current production at ACT is no different.
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